I’ve had this discussion a few times in comments on other posts in the blogosphere, but I thought it deserved its own time in the limelight.
There are grammar junkies out there who were taught (or otherwise believe) that passive voice is wrong. It is bad. It is NOT TO BE DONE. If you show up to your writing group they will find and pick out each and every one (if your writing group isn’t as friendly as mine).
I would argue they are wrong.
Now hear me out. Active voice is stronger. It is more powerful. It is often “more right” than passive voice. However, that doesn’t mean there isn’t a place for passive voice.
For those of you who maybe (like me) didn’t have grammar taught to them in school, I’ll give my quick definition of a passive sentence. A passive sentence is why you can put (or it’s already there), “by Joe,” after the verb. In these sentences, the subject isn’t the one doing the action, but receiving the action. For example: The ball was kicked (by Joe). The bottle was run over (by Joe’s car).
Now that we know what passive voice is, let’s look at some examples and I’ll show you where I think there’s an argument for using it over active voice. I’ll mark active voice with A and passive voice with P.
1.) A: Sam wrote a letter vs. P: A letter was written by Sam.
2.) A: A person or persons unknown killed Joe vs. P: Joe was killed by a person or persons unknown.
3.) A: Sally ate the worm. vs. P: The worm was eaten by Sally.
In example #1, we are far more likely to be interested in Sam than “a letter.” Sam is the rightful subject, so active voice makes much more sense. It is more powerful, and less complicated.
In example #2, we’ve got an ambiguous set of killers and a definite victim. While the killers are the ones who did the action, Joe is the topic at hand. He was killed. That is what is important. So, using passive voice to make Joe the subject of the sentence makes sense.
Example #3 is more ambiguous. Let’s suppose a story that goes like this:
Sally was a strange girl. She liked to do things that were shocking to the other girls at the playground. In first grade, she picked up a worm that was on the playground. By second grade, the other girls didn’t find this shocking any more. When they failed to squirm, squeal, or notice her carrying around a worm, she decided she had to be more shocking still. Sally ate the worm.
In this case, it would make no sense to use the passive voice option (the worm was eaten by Sally).
However, I can imagine another case where it would make sense to use the passive voice. Try this story:
The worm crawled up as the water level rose. The heavy rains had caused the ground to swell with water. His normal tunnels were full and he crawled slowly to the surface to escape drowning. He finally broke through. Rain pelted down on him, but there was air. He slid across the top of the soil, trying to find high ground to wait out the storm.
At long last, the storm broke. It was still to wet to venture underground, so he crawled slowly off to find food. Unbeknownst to him, he was near a playground. This was where his luck ran out. He was picked up and carried around. Then, in one big gulp, the worm was eaten. He never found dry ground.
Since the story is about the worm, it makes sense to use passive voice (especially if we haven’t introduced the person doing the eating).
So, with these examples in mind, I would argue that there is a time and a place for passive voice, and that is when the object of an action is the focus of the discussion.
That being said, there is one other acceptable use of passive voice (in my opinion). That use is to provide variety. This is mostly for procedural writing. However, it may apply elsewhere. The argument for passive voice in these cases is that it is both hard to read, and rather dull, if sentence structure does not vary for a long period of time.
To illustrate, consider this:
First, we got out the vials. Then, we measured the liquid. We also measured two solids. We measured out two parts brown solid for each part white solid. We combined the solids in the liquid. We warmed the mixture for thirty minutes. We removed the mixture from the heat.
Now the same procedure with a bit more variety, courtesy of passive voice:
First we got out the vials. Then, we measured the liquid. The two solids were also measured out. We measured two parts brown solid for each part white solid. The solids were combined in the liquid. We warmed the mixture for thirty minutes. We removed the mixture from the heat.
I’m not going to say either is “more correct” than the other, but the second one is less mind-numbing to me.
So, that is my case for acceptance of passive voice. Do you agree, disagree, not care? Let me know in the comments
I agree 100%. This is a great post with excellent examples. My SFD’s usually include a large number of passive sentences that receive rewrites during revision. There is a time and place for passive sentences and you explained that wonderfully.
Um, what’s SFD? Oh wait, I think I figured it out
Some days I’m a little slow.
Thank you for the compliment. I’m glad my explanations worked well.
I use passive voice, and I agree with you completely. To hell with the grammar junkies. I flunked grammar in grade school.
Uh-oh, my youth is showing. I didn’t HAVE grammar in school. The only reason I know any is because I took Latin (voluntarily). The teacher had to cover all the basic grammar and THEN teach the Latin grammar, since we hadn’t had any.
Thanks for taking the time to comment. I’m glad you agree with me
Good post. Great examples, although my stomach is a little ill after all that worm-eating.
Another time to use passive voice is if the mood of the scene or the character’s attitude is passive or tentative.
I’ll use passive voice if my protagonist is depressed or has lost a battle of wills or is uncertain about what she should do. An author’s words can be wielded to appropriately reflect what is happening in the scene, or what the character is feeling, thinking. Passive voice can be symbolic of what is transpiring in the story.
Oh, good point! I hadn’t even thought of that. It makes sense though. If you’ve got somebody just (for example) sitting there in a depressive funk, they’re more likely to think:
I was hit (by the ball)
I was hurt (by the girl who dumped me)
etc.
Very good point!
Another good time to use the passive voice is in dialogue. For instance, a character that sees them self as a victim or powerless might say, “my arm was broken” rather than “he broke my arm.”
Elizabeth,
Thanks for reading and commenting. I agree. Your comment is along the lines of what Kate (4amWriter) said. I agree with you both (I just hadn’t thought of that!).
This is why I like comments so much, I usually learn something
I enjoyed English lessons at school, but I don’t remember being taught much grammar. I have a few books that I refer to when stuck and there is always Mr Google to find help out *there*
I think this is one of those occasions where the more you write the more you get the feel for what works and what doesn’t. Whatever works for your work and the sentence before you.
Excellent point – many of us over-fret on these things. We should probably just go with what works. Also, I don’t know why I didn’t reply to this before (I thought I had). Sorry to be so late in responding!
I’ll let you off
Thanks
The case for the passive voice was hammered home in your discussion with vigor. By the comments of other posters, your case was received well.
It is pondered, however, when passive voice sentences are woven together into a coherent (or quasi coherent) paragraph, how many of thouse sentences will be endured by their readers before the readers are driven made by such sentences.
LOL.
Point made. I *did* mention that it is stronger and less complex (i.e. simpler).
Your point is a good one though. Just as too many simple active sentences can be annoying/difficult to read, the same is true for passive. Isn’t it great that English gives us so much flexibility and variety?
I honestly don’t care about passive voice. I use it myself, so why should I care if other people use it? It’s usually only used in very well justified situations, such as setting the mood for a scene, etc. Passive voice doesn’t annoy me in the least.
Well, Carrie, I guess you aren’t one of those people who marks up every passive sentence!
I’m glad I’m not the only one who isn’t annoyed by passive voice
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